When the world's horrors...

When the world's horrors get particularly intense and the cries of the suffering are ringing in my ears and the blood splatter is right in my face, I sometimes feel guilt and disgust over the mere fact that my life goes on and the planets of my existence continue in their orbits.  

Some fundamental decency would require the Universe to pause and retch and take some oxygen before moving on.

The human capacity for standing up after falling down is wondrous and deserves a standing ovation. Evolution has given us scars as the answer to injury. Thank god for renewal's potion of forgetfulness. 

But this resilience and all that it implies in averted gaze and suits of emotional armor seems perverse at the same time.  

How dare I laugh, how dare I hum a tune, how dare I feel hungry so soon after the atrocities and the disasters inflict their punishment on our collective spirits!   

That's why the rituals of mourning and celebration of lost lives are so important, the hand-drawn placards, teddy bears and flowers at the scene of tragedy, whispers of condolence and hope to the survivors, to one another. The solidarity of resistance and transformation. Even on social media.  

You are my minyan and quorum, dear friends.  Thank you!" -- Facebook post, 18 March 2019

With nerves coming out of my body

by Jaime Sabines (translation by Robert David Cohen)


With nerves coming out of my body like rags,
like straws from an old broom,
and the bundle of my soul on the floor, still crawling,
everything exhausted, more than my own legs,
tired of using my heart every day,
here I am on this bed, at this hour,
waiting for the collapse
the imminent fall that will bury me.
(Close your eyes as if to sleep
Mustn’t move a leaf of your body.
This can happen at any moment:
Be quiet now.
Handkerchiefs of air turn slowly
heavy shadows scrape the walls,
the sky sucks you through the ceiling.)
Tomorrow you’ll have to get up again
to walk among people.
And you will love the sun and the cold,
the cars, the trains,
the dress shops and the stables,
the walls where lovers are pasted
like decals when evening falls,
the lonely parks where misfortune strolls,
head hanging, and where dreams sit down to rest
and some guy reaches for love under a skirt
while an ambulance siren marks the hour
to enter death’s factory.
You will love the miraculous city and, inside her, the field of dreams,
the river of avenues lit by so many people wanting the same thing,
the open doors of bars, the surprises of bookstores,
the flower shop, the barefoot kids
who don’t want to be heroes of misery,
and the awnings, the advertisements,
the rush of people going nowhere.
You’ll love the asphalt and the skylights
and the drainage pumps and cranes
and the palaces and luxury hotels
and the lawns of homes with guard dogs
and two or three people who are also going to die.
You will love the smell of food stands
attracting the hungry like beacons every night,
and your head will spin around to the perfume
a woman leaves hanging in the air like a boa.
And you’ll love the amusement parks
where the poor go for vertigo and laughter,
and the zoo where everyone feels important,
and the hospital where pain creates more brothers
than poverty can make,
and the daycare centers where children are playing,
and everywhere tenderness sprouts like a stalk
and every last thing has you saying thank you.
Run your hand over the furniture’s skin,
wipe off the dust you let fall on the mirrors.
Everywhere, seeds want to be born.
(Like a scarlet fever, life will suddenly burst from you.)
From Poemas sueltos (1951 - 1961)

For Rachel


Just insert Rachel where you see
World. Where you see
Time. Where you see
Life. Just insert Rachel where you see
Apricot. Where you see
Death.
Insert Rachel exactly where she was standing
Just a minute ago.
At least let her wash her hands
Before saying goodbye.
Break open a headline for her every morning
Feature her on the front page above the fold
Weeping and laughing
Casting a shaft of light
Across bad news.
Now that she’s not here
Rachel might as well be
Everywhere.
Now that she’s not one
She might as well be
Many.
She might as well be
Tuning forks and weather forecasts
Oxygen for heartbeats
And pandemics
She might as well be
Those young beauties painting the sky
Midwifing today because there’s no
Tomorrow.
Lost and Founds are everywhere
So just lose her and find her
Empty handed refugee
Overflowing with riches.
Sing in the chorus of Rachel’s scars
Surrender to the pull of
Gravities she never intended to exert
Dan, take her unused health
A few of her unlived hours will be mine
Unwritten chapters for everyone
All her sweet and impossible to-do’s.
And why not just be her
Be her and every good and kind not-Rachel
Be the solid girl
Left standing in the center
After the fall of the nested Russian dolls.
Hold out your bottomless basket
For gifts she wrapped in life and now must bestow
In death.
The wheel of sparks she spun is still spinning
The seed of power she planted is sprouting
For you now
Whatever you are now.
What’s a catastrophic aortic dissection from root to iliac
In the grand scheme of things anyway?
There’s still time for her
Specificity in the world
A green inch for her in the Secret Garden
A wave for her particle to surf
Deep into the lives of her grandsons.
Rachel, read to me aloud from the book
Of your 72 years
Every night before bed
I’m listening!
The book with 41 chapters you honored me with
And I will massage your feet
Preparing for our dream.
New York, 3 September 2021

Two fragments transcribed from a dream

You chose me
Because I was beautiful
You said you smelled me
A mile away
Purple and red you opened
I lapped up on your beach
Foam on a blue wave

***

You died while making quesadillas
You had just turned off the flame
The heat of the pan doing its work
The cheese melting
The tortilla crisping
You dead
What you were in the middle of
The flame off
Heat in the pan working
What you were in the middle of
You lost
You found
Now in the heat of the work

                -- New York, July 9, 2017

Discovery '65 Poetry Reading



Mark Strand, Jim Harrison, Nancy Sullivan and Robert David Cohen reading their poetry at the Discovery 65 award event.

I'm up first...


https://soundcloud.com/robert-david-cohen/discovery65-92nd-street-y-poetry-center

Poetry I recorded at the Harvard Lamont Poetry Library in 1966

Listen on SoundCloud:

https://soundcloud.com/robert-david-cohen/19661028-robert-david-cohen-poetry-reading

To a friend with Alzheimer’s


Everything is falling
Off the edge of everything
I stand at attention and salute
As he spins into darkness
Everything now a filigree of gold
Lifted by a breeze
Fragile fragile fragile
He is humming
Ever singing

                                -- New York City, 5 May 2015

I am Charlie Hebdo


I'm in bed
Thinking of waking
When the day breaks in
Wearing a balaclava
Carrying a Kalashnikov
Shouting my name

Charlie Hebdo

Now that I count my years
On a hand
I say to myself 
I can banish fear
Now that my bed launches me
Into orbits of delight
And peals of laughter

Charlie Hebdo

I know now there’s beauty enough
In the world
To fashion ten billion eyes
Strength enough to wield ten billion pens

I refuse to surrender
I will be the mocking storm
As they place stones on me like a tomb
I will take my little life to the world


                                    -- New York, January 8, 2015

Gran Frijolada


-- for Idelfonso Ramos on the anniversary of his death


Here we are
My brother

It’s time it’s that time again
For the gran frijolada
The yearly mess of beans
I cook up Cuban-style
In your honor

The beans are soaking
My secret ingredient is ready

Here we are

You are on the other side
Resolviendo
Getting done whatever it is
That gets done
On the lush island that is death
On the isle of memory and grateful forgetting

Always 90 miles
Always an inch away

There you are
Still making the documentary of your life

And me
The gringo whose life you saved
With a couch and an abrazo

I’ve still got one foot
Planted and dancing in the dirt of time

The other
Where else?
In my mouth
That won’t stop singing

Here we are

A celebration that must always be improvised  
Motivito to welcome some minute arrived from afar
From thin air you pull
An armful of icy beers
Like rabbits from a magician’s hat

Son de la Loma
Blasting from the cassette player
Heard all down the street
The neighbors dancing too

Heard by lovers
As far off
As the malecón

I can hear it again now
Trio Matamoros

Who wouldn’t dance in your presence?

Your shadow dancing
With a permanent
Smile and hard-on

Stars and cancer everywhere

Here we are

Here we are
Idel
Dumbstruck and far flung
Shipwrecked and rescued

Sheer luck everywhere
Full of beans and magic


                        -- New York, 31 December 2013